Kristen Sinclair

An electronic patchwork of moving tiles and faces, some lifting a guitar up to the camera, some poised next to a microphone and all smiling, fill young girls’ computer screens across Ireland and beyond. This virtual band practice is the most recent incarnation of Girls Rock School NI. Founded at Belfast’s Oh Yeah Music Centre in 2016 as a spinoff of Ladies Rock Camp, Girls Rock is a summer music camp that gives girls and non-binary youth aged 11-16 the opportunity to learn an instrument from scratch, form their own bands, write their own songs and cut their teeth as burgeoning rock stars. Weeks of coaching, merch-making workshops and Q&As with the province’s leading women musicians lead up to the final showcase where the new-fangled groups take to the stage to showcase their original material to a live audience for the first time. Girls Rock NI was the brainchild of Sister Ghost frontwoman Shannon O’Neill back when she was a student. After hearing about a similar Girls Rock Cam

Founder Linda Coogan Byrne The music industry was rocked last year when publicist and consultant Linda Coogan Byrne released the Gender Disparity Data Report focusing on the amount of Irish radio airplay for domestic artists. The report crunched the numbers to reveal a staggering disparity between the number of Irish men played on national radio compared to the number of women played on the same stations. The report was collated by data logged on an industry system used to track artists’ airplay and royalties called Radiomonitor. The number of Irish women featuring in stations’ top 20 most played songs was shockingly low compared to their male counterparts. Tracks from home grown female talent made up a measly 5% of the top songs from 28 of the Republic’s main radio stations. Worse still, four stations – named and shamed as FM104, LM FM, WLR FM and South East Radio – did not feature a single local female voice in their top 20 most played tracks. Dermot Kennedy, Niall Horan and The Acad