Kristen Sinclair

Off the back of my Verge article 'The Twitch Streamers Fighting to Keep Minority Languages Alive' , I was invited to chat with California-based film maker Fox Nakai about my research for the piece to be featured in his newsletter and upcoming documentary project Mixed Feelings . You can watch a preview of the interview below and on his site : Check out the Mixed Feelings trailer and Fox Nakai's portfolio here .

  Read the article on The Verge's website here .

  From theverge.com Read the article on The Verge's website here .

An electronic patchwork of moving tiles and faces, some lifting a guitar up to the camera, some poised next to a microphone and all smiling, fill young girls’ computer screens across Ireland and beyond. This virtual band practice is the most recent incarnation of Girls Rock School NI. Founded at Belfast’s Oh Yeah Music Centre in 2016 as a spinoff of Ladies Rock Camp, Girls Rock is a summer music camp that gives girls and non-binary youth aged 11-16 the opportunity to learn an instrument from scratch, form their own bands, write their own songs and cut their teeth as burgeoning rock stars. Weeks of coaching, merch-making workshops and Q&As with the province’s leading women musicians lead up to the final showcase where the new-fangled groups take to the stage to showcase their original material to a live audience for the first time. Girls Rock NI was the brainchild of Sister Ghost frontwoman Shannon O’Neill back when she was a student. After hearing about a similar Girls Rock Cam...

Founder Linda Coogan Byrne The music industry was rocked last year when publicist and consultant Linda Coogan Byrne released the Gender Disparity Data Report focusing on the amount of Irish radio airplay for domestic artists. The report crunched the numbers to reveal a staggering disparity between the number of Irish men played on national radio compared to the number of women played on the same stations. The report was collated by data logged on an industry system used to track artists’ airplay and royalties called Radiomonitor. The number of Irish women featuring in stations’ top 20 most played songs was shockingly low compared to their male counterparts. Tracks from home grown female talent made up a measly 5% of the top songs from 28 of the Republic’s main radio stations. Worse still, four stations – named and shamed as FM104, LM FM, WLR FM and South East Radio – did not feature a single local female voice in their top 20 most played tracks. Dermot Kennedy, Niall Horan and The Acad...

“I’m going get my piano tuned now, I’m very excited!” chirps Amy Montgomery as we wrap up our call. The 20-year-old singer-songwriter and multi-instrumentalist is just over a week away from the release of her debut EP following two new music videos, a string of singles and touring as far away as Australia. The culmination of four years’ work, Intangible is twenty-one minutes of powerful alt rock with squalls of guitar feedback lifted by bright, fluttering synths and vocal prowess akin to Janis Joplin, Alanis Morissette and even Miley Cyrus. Raised on classic rock, Amy’s sound gives a subtle nod to the music that nourished her, but she manages to rise above her influences. “I’ve been surrounded by music since I was born and in my house growing up. My dad is a big muso, he loves all sorts of rock music and I would hear AC/DC from no age. I picked up the guitar after my dad inspired me to; he plays the guitar as well and taught me my first few chords. I have this memory from when I was...

When Joshua Burnside was about six he planned to run away from home, escaping through his ground floor bedroom window. Finding out about this plan, his older sister warned that if he jumped out the window, he’d go straight through the ground and into the depths of Hell to meet the Devil himself. That, of course, never happened. But still, the formative memory gives Into the Depths of Hell its title.   A follow-up to 2017’s NI Music Prize-winning Ephrata , the album draws on its predecessor’s mélange of Americana, Irish folk and Cumbia rhythms, but with a decidedly darker edge. Never one to shy away from life’s big questions, his lyrical content tackles head-on the issues of self-medication, anxiety and humankind’s destruction of our planet. An apocalyptic chorus of voices and sound effects opens the album and is littered throughout. This cacophony of distortion, thuds and clattering adds to the general feeling of malaise. Vocals oscillate between whispered and bellowed, giving...

Peter J. McCauley, image courtesy of Chordblossom Peter J. McCauley has spent much of lockdown watching RuPaul’s Drag Race with his wife. Aside from working on his latest LP Amnesty , the singer and multi-instrumentalist has already caught up to season 11. “I like to live in an alternate reality where my opinion on drag artistry matters,” he laughs. It’s a rare period of rest for the Belfast native who is more often found on the road, once touring these islands in a Transit van behind the drum kit for Mojo Fury, and more recently at festivals across the world as Rams’ Pocket Radio. Under his former alias, McCauley released a string of EPs and singles and a concept album, B é ton , in 2013. Four years ago, he decided to record under his own name and delivered Liminals , his first EP as Peter J. McCauley. Following a long stint on the road and recording documental album Voices of Belfast , two years of work has lead up to in the release of his first full length unrestrained by his form...

This review originally appeared in the now-defunct GiggingNI in 2018. Launching his new EP all round the light said :, County Down troubadour Joshua Burnside returns for his second headline gig at The Empire, Belfast. Joined by local veterans Lambing Season and the newly-signed Brash Isaac , Burnside proves unrivalled in his craft and cements himself as a champion of the NI music scene. An ample crowd is already gathered before the first act even take to the stage, in what might be south Belfast’s only properly air-conditioned venue (and in 22°C+ heat, there’s only so much a cold beer can do). Lambing Season , an experimental folk group, are back for their first gig in years. Squeezed onto The Empire’s tiny stage, the seven-piece create brass-heavy, folk-infused soft rock vaguely reminiscent of Arcade Fire. The band is fronted by multi-instrumentalist Gerry McCrudden who gives direction to his bandmates’ atmospheric harmonies and very talented trumpet playing. It’s easy...

Rat Out Records' event at The Sunflower (Source: my own) Belfast is famous for many things – ships, conflict, Van Morrison – but not quite hip-hop. Unlike the other Irish cities which have spawned the likes of Dublin duo Versatile or Limerick’s The Rubberbandits , the subculture hasn’t gained the same notoriety and recognition in the North. As a genre created by African Americans in 1970s New York, it may be fairly easy to see why the Irish brand of rap hasn’t exactly had the same level of success. Despite this, Northern Ireland is by no means lacking in musical talent; the region has produced big names like The Undertones, Snow Patrol and Two Door Cinema Club. Even on a more grassroots level, the local indie rock and folk scenes in Belfast and Derry are booming. While it may seem that we prefer our music with a catchy chorus and three chords, Belfast’s underground rap scene is alive and kicking if you’re prepared to look for it. A simple Soundcloud or Bandcamp search ...

In Celtic mythology, the spirit of Ireland is commonly portrayed as a woman. Bygone nationalist symbols such as Róisín Dubh, Kathleen Ní Houlihan and the old woman of ‘Mise Éire’ personify the romantic view of the island embodied in the feminine ideal of Mother. Bríd, a Gaelic pagan goddess associated with fertility, later Christianised as St. Brigid of Kildare, is now one of Ireland’s patron saints. As a hallmark of Irish society, this concept of Mother Ireland, a gendered land to be fought for and possessed, requires male intervention to vindicate her sovereign rights. She is something of a supernatural being and incarnation of Ireland’s womanhood, a sacrificial heroine of the family. The ideal of Mother or virgin, further fuelled by the dominance of the church over the centuries, subdued women into becoming patriarchal stereotypes. Centuries ago, Irish women who, among other allegations of heresy, did not fulfil this archetypal ideal, were often accused of witchcraft. Last recor...