Kristen Sinclair

Bandcamp Strength NIA’s second full length release opens with disembodied vocals over the ominous stuttering chords of an organ. Formed around the talents of frontman Rory Moore, the band’s USP is using old, broken instruments to create a discordant brand of post-apocalyptic pop with the occasional chorus peeking up from beneath the rubble. The band like to think of their work as “the first pop songs in the world”. Following on from their debut Northern Ireland Yes in 2018, Ulster is a Dance Master abounds with regional references and is a smorgasbord of instruments and sounds. The whole album clocks in at well under an hour and its lyrics recount eerie tales from Irish history to a more recent a youth spent in Derry. Song topics include everything from gravy buns to the population of Strabane. The comically titled ‘Dressing Up for the TUV’ is an ode to the women found guilty in the last witch trial in Ireland in 1711. Moore speaks as the TUV councillor objecting to their memoria...

In Waiting (Source: Pillow Queens' Bandcamp) ‘Highly anticipated’ is a cliché attached to many debut albums, but after four years of EP releases and relentless touring, In Waiting from Dublin’s Pillow Queens has lived up to its title. Brooding melodies, fuzzy guitar and hazy harmonies meet anthemic choruses in this cathartic exploration of being young in modern Ireland. Recorded in rural Donegal, the LP sees Pillow Queens grapple with spirituality and religion, family, politics and the crises of late-stage capitalism. Touching on everything from queer identity to life and gentrification in the Irish capital, impassioned vocals channel the anger of punk into rousing indie rock. In a country where almost half of people aged 25 to 29 still live at home with their parents, this frustration is tangible. ‘Handsome Wife’, a single from 2019, is a rejection of the nine-to-five, marriage and kids, white picket fence lifestyle that still feels expected even in today’s society. Riff-d...

When Joshua Burnside was about six he planned to run away from home, escaping through his ground floor bedroom window. Finding out about this plan, his older sister warned that if he jumped out the window, he’d go straight through the ground and into the depths of Hell to meet the Devil himself. That, of course, never happened. But still, the formative memory gives Into the Depths of Hell its title.   A follow-up to 2017’s NI Music Prize-winning Ephrata , the album draws on its predecessor’s mélange of Americana, Irish folk and Cumbia rhythms, but with a decidedly darker edge. Never one to shy away from life’s big questions, his lyrical content tackles head-on the issues of self-medication, anxiety and humankind’s destruction of our planet. An apocalyptic chorus of voices and sound effects opens the album and is littered throughout. This cacophony of distortion, thuds and clattering adds to the general feeling of malaise. Vocals oscillate between whispered and bellowed, giving...

This review originally appeared in the now-defunct altmusicbox in 2016. Source: wikipedia.org It’s no secret that women have provided many of 2016’s most exciting releases so far, and Los Angeles indie rockers Warpaint are only adding to – if not topping – that list, with their latest studio LP Heads Up . The album is the band’s third release following its members working on solo projects or collaborating with other artists, including Hot Chip and Kurt Vile. Listening to Heads Up from start to finish, the quartet’s new ethos of simplicity is beautifully apparent: “[When we] agree that we’re stoked about [a new song], we’re done. That’s a lesson we’ve learned—not to overanalyse,” vocalist and guitarist Emily Kokal told NME .  Mixing of the LA ladies’ latest studio offering began as early as January this year, and they’ve never sounded fresher, or, dare it be said, cooler. As a band known for sharing singing and instrumental duties, the wonderful mélange of summery keyb...

This review originally appeared in the now-defunct altmusicbox in 2016. Source: Stereogum I hesitate to use the term ‘girl band’ when talking about Spanish four piece Hinds (FKA Deers). You’d never hear an all-male band referred to as such, and whilst these four madrileñas are shaking up the gender politics of the garage rock scene, the fact that they are women does not override but in fact brings a unique new dynamic to their summery, ramshackle indie pop. “It’s so difficult because there are so few women in rock that people see you as a woman first, not in garage or pop or any genre… We’re gonna disappoint you as perfect women. In rock, no one is perfect,” vocalist Ana Perrote told i-D of the band’s experiences. The foursome’s hotly anticipated debut ‘Leave Me Alone’ is characterised by a jangly, upbeat sound complete with fuzzy surf pop riffs, chugging drums and delightfully dazed vocals. Formed in the Spanish capital in 2011, Perrote, Charlotta Cosials, Ade Martin an...